It Could Happen to You: Collecting in the Face of Tragedy
American Alliance of Museums Annual Meeting – May 2017
UPDATED AUGUST 2017
This past May, I participated in an important session at the annual conference of the American Alliance of Museums (AAM). Joining me were staff from the Orange County Regional History Center, the archives of Virginia Tech University, and the National 9/11 Memorial and Museum. The moderator was Dr, Adam Ware, Historian and Research Librarian with the Orange County Regional History Center.
We were speaking to an audience of museum professionals from across the nation. Our goal was to make the point that the tragedies we have encountered with 9/11 and at Virginia Tech, the Pulse nightclub in Orlando, and the Mother Emanuel AME Church in Charleston, SC, were not aberrations, but are events that museums today need to prepare for. While panelists were diverse in backgrounds and perspectives, patterns emerged from our experiences that could equip other professionals for subsequent crises. We learned, for example, that responses take a professional as well as a personal toll, and become both a blessing and a burden to the museum. Thus, the need to plan now. No one knows where the next hateful tragedy will occur, but if recent history is a guide, it will. Unfortunately, Charlottesville has become the most recent example.
Amy Weinstein – Director of Collections & Senior Oral Historian at 9/11 Memorial, who served as a fieldwork curator for the New York Historical Society in their collecting endeavor after the 9/11/2001 World Trade Center attack.
Pam Schwartz – Chief Curator at Orange County Regional History Center in Orlando, FL, who spearheaded the collecting efforts after the 2016 shooting at Pulse Nightclub.
Tamara Kennelly – University Archivist at Virginia Tech in Blacksburg, VA, who coordinated the collecting efforts after the 2007 shooting at Virginia Tech.
George McDaniel – Director Emeritus of Drayton Hall in Charleston, SC, initiated a museum committee to collect memorabilia and produce a commemorative exhibit after the 2015 shooting at Mother Emanuel AME Church.
At the end of the session we shared a list compiled from panelists’ experiences–important points for museum professionals to consider before catastrophe strikes their communities:
- Should our museum collect tin the face of tragedy?
- Is it important to our community this event be in its historical record?
- Does it fit the collecting mission of our institution?
- Do we have the resources to do so?
- Legally, can we collect from the site?
- Who else will we need to work with?
- How soon is too soon to collect?
- How do we inform and educate our community about what we’re doing?
- Can we alert family or survivors and other directly involved parties to build their trust?
- How will we keep our staff and current collection safe?
- How much and what should we collect? (artifacts, oral histories, documentary photos)
- What tools and supplies will we need for collecting temporary memorials?
McDaniel is also the Executive Director Emeritus of Drayton Hall, a historic site in Charleston, SC, owned by the National Trust for Historic Preservation. He retired from Drayton Hall in 2015 after 25 years of distinguished service.