vii
Esther Beaumont: “Drayton Hall speaks to me” . . . . . . . . . . . . . . . . . . . 123
Steve Gates: “A focal point for the sweep of history” . . . . . . . . . . . . . . . . . 127
Jenny Sanford McKay: “Integrity. Respect. ” . . . . . . . . . . . . . . . . . . . . . 133
Anthony C. Wood: “Transformative” . . . . . . . . . . . . . . . . . . . . . . . . . 136
Interviews – Professionals
Lonnie Bunch III: “The sunshine of remembering” . . . . . . . . . . . . . . . . . . 145
Bob Barker and Nancy Huggins: “Those early days” . . . . . . . . . . . . . . . . 148
Letitia Galbraith Machado: “Philosophy, interpretation, education, and security” . 155
Carter C. Hudgins: “A national, indeed an international, treasure” . . . . . . . . . . 161
Sarah Stroud Clarke: “The human spirit across all people” . . . . . . . . . . . . . . 165
Damon Fordham: “Tell the truth” . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Shelia Harrell-Roye: “Using a story to tell a truth” . . . . . . . . . . . . . . . . . . 177
Thompson (Tom) Mayes: “A different sense of time” . . . . . . . . . . . . . . . . . 183
Helen Hill: “There’s magic in telling the story but give visitors options” . . . . . . . 189
Matt Webster: “This privy was advanced for its day” . . . . . . . . . . . . . . . . . 194
Susan Buck: “The most magical place” . . . . . . . . . . . . . . . . . . . . . . . . 197
Craig Bennett: “Every time I go, I understand something new” . . . . . . . . . . . 204
Richard Marks: “A time machine” . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Glenn F. Keyes: “As an architect” . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Jim Thomas:“Significant for the modernist architect and the traditionalist” . . . . . 224
Trish Lowe Smith: “Being the best steward I can possibly be” . . . . . . . . . . . . 227
Sheila Wertimer: “As you walk the landscape” . . . . . . . . . . . . . . . . . . . . 233
Toni Carrier: “A sustaining force” . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Bernard Powers: “Challenging issues of race” . . . . . . . . . . . . . . . . . . . . 241
Marvin Dulaney: “Tell the full story” . . . . . . . . . . . . . . . . . . . . . . . . . 246
Ken Seeger, Jennifer Howard: “The reasons why” . . . . . . . . . . . . . . . . . 250
Eric Emerson: “There have to be tangible examples of the past” . . . . . . . . . . . 256
Max van Balgooy: “This challenging profession” . . . . . . . . . . . . . . . . . . . 261
Peter H. Wood: “To think and imagine differently” . . . . . . . . . . . . . . . . . . 267
Joseph McGill Jr.: “To right a wrong” . . . . . . . . . . . . . . . . . . . . . . . . . 274
Michelle McCollum: “A compelling story is not enough” . . . . . . . . . . . . . . . 280
Elizabeth (Liz) Alston: “Plantations teach us” . . . . . . . . . . . . . . . . . . . . 285
Stephanie Meeks: “A leader among house and history museums” . . . . . . . . . . 290
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
An Initial How-To Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
End Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
About the Author. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305